They’re all on the same page of the latest Rolling Stone!  Wayne gets big-upped by Ezra of the Vampire Weekends:

Starting from a conversation between Jonathan Gray and Henry Jenkins, Wayne Marshall ponders the utility of “paratext” (”all those things that surround a book that aren’t quite the ‘thing’ itself…the cover, prefaces, typeface, and afterwords, but also reviews”) for music:
…“Crank Dat”…perhaps best illustrates the problem with trying to apply a theory of para/texts to music [...]