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Tag Archives: The Rosebuds


marathonpacks’ year-end mixes, vols. 3&4

Tuesday, December 27, 2005

Here are the last two:

marathonpacks year-end mix, vol. 3 (128k mp3, 68.4MB) (expired)
1. Black & White Town–Doves
2. A Little Bit More–Jamie Lidell
3. Gone (f. Cam’ron & Consequence)–Kanye West
4. Trouble With Dreams–Eels
5. All We Are–Fischerspooner
6. Gideon–My Morning Jacket
7. Like A Honeycomb–British Sea Power
8. There Goes the Sun–The Pernice Brothers
9. I Was A Teenage Rainphase–Stereolab
10. So Begins [...]

Top Ten Vocal Moments on The Rosebuds’ Birds Make Good Neighbors That Don’t Consist of Real Words

Saturday, December 10, 2005

I love The Rosebuds’ Birds Make Good Neighbors. A lot. The #2 position on my year end best of list, though surely tripling their album sales, just doesn’t do it justice. I can’t put into words how much I love this album. And apparently, Ivan and Kelly had the same issue on the album itself. [...]

marathonpacks podcast #4

Sunday, October 30, 2005

This podcast will serve as the first to be distributed with Feedburner, a free and comprehensive distribution service that will allow marathonpacks to automatically download to your feed-reader of choice. Coolest to me, though, is the ability to feed it directly into your iTunes, and let it update each time you open the application (music [...]

The Arcade Fire, The Rosebuds and the success of Merge Records

Saturday, September 10, 2005

Before catching the Rosebuds at Bloomington’s Second Story Nightclub last night, I gathered with some friends at my girlfriend’s house (she has cable!) for drinks. The television was harmlessly on in the background, but eventually we began dissecting what we were seeing. It wasn’t too hard to analyze the program, because there was so much [...]

The Rosebuds “The Lovers’ Rights”

Wednesday, September 7, 2005

I’ve been eagerly anticipating the new Rosebuds‘ record for some time now, despite the fact, I’ve recently realized, that I only really like one song from debut Make Out. Opener “Back to Boston” was a gentle two-minute pop wonder with subtle synth washes, bah-bah-bah vocals, and an earnest, autumnal sentimentality missing from most current indie [...]