3.27.2007

Hitchfork



A piece I've had milling around my brain and/or hard drive for the past three years is up over at Pitchfork today. About how Hitchcock used music in Rear Window to echo his feelings (most defnitely not mine, though) about mass-cultural passivity. Music from radios ironically soundtracking your activities, that sort of thing. It's one of my personal favorites of the longer pieces I've written, and although I've watched RW about 30 or 40 times now, it's still my favorite Hitchcock flick going away. Others in the top ten: The Lady Vanishes, the first The Man Who Knew Too Much, NxNW, Psycho, Vertigo, The 39 Steps, Strangers on a Train, The Birds. Fun fact: it's widely believed that Hitchcock actually made the first British talkie, 1929's Blackmail. The producers decided to add sync-sound after shooting wrapped, and Hitchcock took the opportunity to make sinister use of music right then and there. He scored the lead-up to an attempted rape, the part of the film that haunts its female lead until its conclusion, with the song "Miss Up-To Date," music by Billy Mayerl, known as the "British Gershwin." Cheeky.

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2.05.2007

Prince, and a Housekeeping Note

First and foremost, this was a long time coming for Indiana sports fans. At least since 2000, when the Colts had at least two, sometimes three of the most effective offensive position players in the conference, perhaps the league, but managed to completely blow it in so many different ways in the postseason. It's the first professional sports championship of any sort to come to the state since 1973, and I have to include the ABA even for that. Yet while I'm extremely happy that I can let the Pacers off the hook for another couple years, I'm still thinking more about the Super Bowl halftime show.

There was a bit of pre-game chatter (some by me) about Prince's appropriateness for an appearance of this level, and rightfully so. He's long since past his pop-ubiquity stage; that ended in 1991/2 with the very good Diamonds and Pearls and the VMA booty-pants shock. But at halftime of the Super Bowl last night, he put on the absolute best show he could, in the pouring rain, in front of a crowd that probably couldn't even see him, but still talking to them nonetheless. It didn't matter what songs he played (fun fact: no "Darling Nikki"), it mattered that he played impeccably, like he's been doing for the past 25 years. Over the last 3 or 4, though, Prince has been working his way back from a post-mid career slide, and has two solid comeback records (Musicology and 3121) to show for it. But last night, in front of like 2 billion people, he showed us why there's no doubt about his legacy. James Brown died a little over a month ago, and while Prince has no direct claim to the massive throne left behind, he's the most fitting heir imaginable---no one else even comes close. Don't tell me you didn't get goosebumps when he started into "Purple Rain," and there were actual raindrops all over the camera lens, and the glowing, Tron-ish marching band marching in sync, and the lights went out except for the purple ones circling the stadium, because it means you're lying. Almost forty years after Elvis' '68 Comeback Special, when the average television has 700 channels and television shows premiere on YouTube or whatever, Prince reaffirming his legacy (what a lot of us knew he'd do the whole time) during halftime of the Super Bowl is the closest chance there is for unified, (inter)national recognition of an iconic live performer while he's still around to enjoy it. He was on a stage in front of billions of people, he's two years shy of 50, and he just fucking killed it. I really hope media outlets much, much larger than myself (read: all of them) realize it.

Okay, enough drooling. Thing number two has to do with the Shins---specifically, the James Mercer post I did a while back. Although I'm fine with the content, I was never happy with my tone throughout it, because it resulted from lazy writing and lazier editing. I've made some changes, but the original post has been archived and is still available. Details at the bottom of the original post.

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2.02.2007

Idolathonpacks(ator)

I'm taking over (half the posts of) Idolator today---come on over and give me some moral support, as I wade throught the morass of Gawker Media and hopefully emerge without my gum in my hair (first post here). For those of you here for the first time because of Idolator, welcome. Please use the gloves provided to turn the pages of the older posts, don't feed the dog, and remember the mint on the pillow, to avoid a nasty wake-up on Saturday.

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12.28.2006

Merry New Year

I'm going to take the rest of 2006 off, and let the ass-grooves on my desk chair start to disappear. I should be back on 1/4, if not sooner due to an inspired moment of drunken revelation.

Happy/Safe/You and Yours/Thanks For Everything/The Kids Look Great, etc.

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11.29.2006

Je Suis Désolé...

...for my extended absences from this site. I'm in the middle of a notably crunchy semester's end, and I have to devote the lion's share of my free time, away from papers and book reviews, toward trivialities like going to the bathroom and buying coffee creamer. I promise I'll be back after 12/11 on a semi-regular basis, if not sooner-ish.

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