Let Us Not Forget The New LCD Soundsystem Album, As Well

The NYT’s A.O. Scott on Gen-X midlife crises in popular culture (where else):

When markedly similar characters and stories start popping up everywhere, it’s more than a trend. It’s what those of us raised on vintage postmodernism call a historical phenomenon. So an intertextual analysis of “Greenberg,” “Hot Tub Time Machine” and “The Ask” (for starters) yields a startling composite portrait of the Gen X male in midlife crisis. Earlier versions of the crisis were, by and large, reactions against social norms. Members of the Greatest Generation and the one that came right after — the “Mad Men” guys, their wives and secretaries — settled down young into a world where the parameters of career and domesticity seemed fixed, and then proceeded, by the force of their own restlessness, to blow it all up.

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But what if you never gave up adolescence in the first place? What if you donned the binding garment of maturity only tentatively, and accessorized it with mockery, as if it were a hand-me-down from Grandpa or an ugly shirt plucked from a used-clothing rack? And what if, from the start, your youthful rebelliousness had been a secondhand entitlement, without a clear adversary? These are the elements of Roger Greenberg’s predicament, which is shared by Milo Burke and the three 40-somethings who journey back to 1986 in “Hot Tub Time Machine.” They all seem stuck in an earlier phase of life, which wasn’t so great to begin with: Milo’s dorm room bull sessions and sexual escapades; Roger’s rock ’n’ roll dreams; that crazy time at the ski lodge with snow, cocaine, sex and spandex as far as the eye could see.

Filed under: A.O. Scott  Generation X  Greenberg  Hot Tub Time Machine  LCD Soundsystem