
In case you haven’t heard, Kompakt (you know, the label whose CD tracklistings inevitably show up in iTunes IN ALL CAPS) is back, with two stone-cold instant micro-classics to be released this year, Gui Borratto’s
Chromophobia and the Field’s
debut full-length From Here We Go Sublime. Borratto’s “Beautiful Life” has been draining my iPod’s battery life for the past month-ish now, and I’ve subsequently turned to
Sublime, or from there I’ve gone
Sublime (or SUBLIME, you get the picture). The Field is, shock of all shocks, one dude (Axel Willner) from, shock of all shocks, one country (Sweden).
Sublime is chilly, non-stop mini-propulsion, the sound of an intense dancefloor from the vantage point gained by hovering over it silently, watching it happen. The title “
The Little Heart Beats So Fast”
(mp3) is the perfect description for Willner’s M.O. on
Sublime. The rhythms are intense but gentle, pulsing repetitively, slowly sliding into your unconscious and gaining your assent even though you’re not aware it’s happening. A clipped, harmless-sounding “uh” ticks like clockwork, like hearing sexy android lovemaking through your apartment ceiling (for reals), periodically (also clock-ish) allowing a serene, almost tender club track to take over, then recede.
Sublime drops on April 3. Pre-order here. FieldSpace here.
Also new and excellent on Kompakt is Pantha du Prince’s This Bliss. I haven’t heard the full Borrotto or Field, but I think it might even be better than either. Kompakt’s crazy-good these days!
damn baby gurl, 4 posts in 2 days! are you still working on yoru essay concerning “beautiful life”
way to totally blow it on scoring the Paper Airplanes record, dude
and Amy’s right, Pantha slays both of these records
The Little Heart Beats So Fast is a reconstitution of “Some Indulgence” by The Embassy. It’s funny to find, after a hundred listens of this wonderful record, the original author. It can be heard on Fluokids…