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Channels "To the New Mandarins"

Tuesday, September 5, 2006

To the New Mandarins” (mp3) makes me wonder about the disjuncture between rock music and leftist politics, and if there’s any space in there for good, important music to emerge anymore—more political dissenters have access to more information than ever right now, but that doesn’t necessarily mean they know what to do with it. Channels are represented by Dischord Records, home of Fugazi, the last great (greater than great) band to effectively meld politics with music, and make both more interesting in the process. But what made Ian Mackaye’s lyrics so effective was his tendency to make them personal, to take massive, weighty issues and remake them as something that could be acted upon by normal dudes in the suburbs. Sure, most “action” that would occur was trapped in the realm of representation, but that’s neither here nor there. Fugazi was a great political band because they triggered a response from their listeners and fans other than pogoing and acting judgmental toward other fans. Much more of an effective, progressive-minded response than, say, to Rage Against the Machine, who ended up providing soundtracks for pissed-off metalheads and impudent teenagers and then turned into Audioslave. Anyway, I’m wondering where a band like Channels fits on this continuum. They’re certainly about as far left as can be in American politics, but is that enough? If a band is appealing to only those who know what the “Mandarin” is in the song title (from what I remember, it’s a reference to an ideologically driven and powerful civil servant—here, I think it’s safe to assume they’re referring to American Straussian neoconservatives), are they really out to change minds, or are they just preaching to the choir (or, I suppose, choiring to the preachers)? And does that really matter, in the end? Can protest music be a self-contained artistic exercise? I guess Stereolab answers that question pretty well, so I’ll move on. I like this song, but I’m not completely sure if that’s because I sit on the same side of the American partisan aisle as the band, or that I’m drawn to angry puns like the one from the song’s yelled opening: “It’s tricky to relax/While pacing fore and back/Call it your patriot act/The panic room’s in back/With victory on tap/Show ‘em your patriot act!” But I’m positive I don’t like the song because it taught me anything new or steeled my disdain for the administration any more than it’s already steeled, but then again, it’s probably not trying for that. It’s probably trying to do what a lot of politically-themed rock music is trying to do these days—serving as more of an arty public catharsis more than as a call-to-arms. That the song turns out to be a catchy neo-D.C. punk-style anthem with lacerating, detuned guitars and scattered, hectic drumming doesn’t hurt my apprectiation for it, though—even to the point that I can perhaps think about excusing the occasional lyrical clunker like “I grew up on science fiction, it doesn’t mean I want to live in it!” Because, come on, if goofy slogans don’t demonstrate a healthy amount of political savvy in the current climate, what does?

Buy Waiting for the Next End of the World from Dischord here.

OKAY, BUDDING PHOTOGRAPHERS, STEP UP: Chicago’s David Vandervelde, whose first public performance I attended and described here, is working on his first full-length record. He emailed me (and a bunch of other people, I’m assuming) because he’s finally got some mp3s to listen to, free from the Myspace tether. The one that really nails me to the wall is “Jacket” (mp3), a throwback if there ever were one, directly at the feet of Electric Warrior/Slider-era Marc Bolan. It’s hella fine, but that’s not the extent of why I’m keeping you here after the bell. You see, Vandervelde’s also looking to make a cover for his album (get out!), and because this here is what he’d originally selected (shot down), he’d like to enlist any of you talented artistes out there to do the dirty work for him. Email photos (sexy, but not pornographic, he says) to imhot@davidvandervelde.com, and he’ll be sure to go with the most provocative one.

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