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Morningwood vs. We Are Scientists vs. Who Gives a Damn

Tuesday, January 10, 2006

The simmering debate making its way around the internet, concerning Morningwood and We Are Scientists and which band will be more successful in 2006, is absolutely not interesting. First, though, a disclaimer. Everyone’s tastes: They’re fine. I have no problem with them. Don’t take offense. Now, the bands. Neither of them are very good. That’s obvious. Morningwood is riding the ample bosom of their vivacious lead singer, but their music is naught more than calculated, bland trendhopping of the most vacuous variety—mainly copping glam-metal riffs (see: Electric Six) and Euro-Pop melodies. We Are Scientists, scooped from quasi-obscurity by Virgin after SXSW, are, if probably more “authentic,” still playing connect-the-dots post-punk while singing lyrics determined to appeal to lonely late-teens (that “my body is your body” pap is straight out of Ben Gibbard’s high school notebook). No wonder Spin loves them. Both bands are tailor-made for mass audience appeal—they both contain the proper zeitgeist-approved cultural elements while remaining resolutely uncontroversial and unchallenging.

But the fact that both of these bands suck isn’t the reason the debate irks me. It’s more complicated and cranky than that. While I’d never allow myself to get caught up in a tired, banal indie vs. mainstream dialectic, both bands’ appearance on countless blogs over the past few months is the result of Virgin and Capitol holding open the internet and pouring promo down its throat. Wait, you say…who cares? That’s what all musicians do—try to get noticed, lately through blogs. Sure, I reply—one hundred percent true. But that’s far from what’s happening with Virgin and Capitol’s promotion of Morningwood and We Are Scientists. They have millions of dollars and hundreds of employees at their discretion, solely devoted to marketing efforts for bands. They don’t need blogs for the exposure. They need them, us, for credibility. They’re siphoning the taste of true music lovers, conoisseurs, selfless distributors, and refiguring it as buzz. Even I received several e-mails from Capitol, trying to get Morningwood featured on my massively influential, internationally celebrated blog. If Virgin and Capitol wanted to, they could pay any store in any mall anywhere in the country to play the entire CDs of both bands 15 times a day, and get 100 times the exposure. Which they actually might already do. I mean, We Are Scientists were on freaking LETTERMAN. But they still want to be marked as “blogger-approved”. Warner Brothers did the same things with Secret Machines in late 2004. Secret Machines are a great band. That makes no difference. It’s still a corporation siphoning profits through independent music sources, under the auspices of bottom-up marketing, when it’s top-down like a mother fucker.

Morningwood and We Are Scientists both suck. But it doesn’t matter. I’m sure they’re both totally nice, and I’m actually very excited that a voluptuous woman like Chantel Claret has the opportunity to cast body-image influence over a generation of similarly shaped young girls. But the story of these two bands in 2006 should be one of a new corporate marketing technique—one that, while innocent enough, is only the sign of much, much more to come. Again, my point here is not to accuse bloggers who like Morningwood and/or We Are Scientists of being mindless automatons in between A&R stints. My point is to highlight the intent of record companies, of corporations, to gain a foothold in the blogs–to take a step toward attempting to incorporate them into their promotional plans. Which would really just ruin everything.

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